For the summer project I was told to research le tour de France,
I started my research by visiting ‘the bike show’ at the ‘civic’, while I was
there I took many photos which were then used in my sketchbook, I also went to York
and Manchester over the summer and took pictures of everything that was
connected with the tour, this included bunting, yellow bikes, posters and more.
Over the summer I made a tour de France board on Pinterest where I pinned some
art and various pictures from the tour and pictures that were connected with
the tour. On the first day back after the holidays a still life was set up of
various bike parts where I could do some drawing from observation which I did
in different Medias.
I didn’t really get much inspiration from the ‘bike show’ at
the civic as it all seemed quiet similar and nothing truly stood out for me,
however I tried to look at each piece and try to look at it not as a whole piece
and tried breaking things up slightly, but it didn't really work for me.
There was a lot I didn’t like at the exhibition but this was
because everything was the same, nothing was individual, I would go from one piece
to another and it felt as if I was looking at the same one as before. Also
there wasn't really anything that interested me, I enjoy things that are quiet
craft based and not just bike frame after bike frame or print after print which
had no flare to it.
The three main artists I looked at in the summer that their
worked was based around bikes were Eleanor Grosch, Fifi Flowers and Andy
Arthur. I don’t particularly think any o their work inspired my work and I didn’t
really take much forward in my project. The only one that went on into my sheet
work was Groschs’ work as I did use her piece with the bikes going past the field
of sunflowers, this inspired various parts of my work and I did a simplified
version of the sunflowers on my print. They other two artists didn’t really go
further into my work as I didn’t really like their work that much.
Throughout this project I have done many different
techniques and processes, some which I have done before and some which are
completely new to me. One of the first things I did was knitting, I had only
done this a few times before and I hadn't really got the hang of it but I managed
to get a few samples done as well as use it while looking at my knitting
artist. I also did wet felting and needle felting, I had done the wet felting a
couple of times before so I found it fairly easy to get on with and didn’t run
into many problems. I used some of my wet felting to do my needle felting which
was a new process to me, I found it quite hard to start with and couldn’t really
get much detail into it but in the end I think I did a decent piece. I looked
at weaving for a short time as I had done it before, I didn’t really think this
would fit in with this project so I decided to just do a small sample. This
year I got to make my own tracing for a screen print which I think went really
well, I revisited paper making this year so that I could print onto it.
I did a few experiments with my work this time including
printing onto some of my wet felting, this went rather well I think and looks
rather affective, I enjoyed this as it wasn’t really something I would have normally
printed on. Another thing was I printed over an old piece of muslin that had
puff binder on it, this didn’t work that well as the print looks quite broken up
in places and you can’t really see the image properly. I tried printing on hand
made paper which turned out better than I expected it to. When I looked at a
knitting artist I tried to do Swiss darning, this was quiet difficult and I messed
up quite a lot.
I looked at a few other artists in this project, Donna Wilson,
Moy Mackay, Debra Esterhuizen and Janet Browne, their work linked in a lot to
my work and some even inspired my final pieces. Mackay and Browne both inspired
my needle felting final piece, I looked at Browne’s’ work and took the colours
and the sheep from the scenery, and I looked at MacKay’s work to get a feel to
how I should place each part and how some parts were fairly simple. Esterhuizen
partly inspired my wet felting with the print on it as I really wanted to include
a wet felting piece but I wanted it to be more than just a felted piece so I printed
on top of it.
I decided on my final pieces by having a design meeting with
my tutor about which were my strongest points in each sample and which would
work in the time I had to complete it.
I don’t think I managed my time that well in this project
and should have spent more time on certain parts rather than leaving a large
chunk of it to be finished in such a small amount of time. I also should have
spent more time getting better research as I struggled a little with getting
ideas for certain parts of the project.
I think the majority of my work went fairly well and I really
started to enjoy the project once I got to start making things. Some of the problems
I did have were when I was doing my samples I tried printing on my felt, it
work okay but I don’t think this piece was fully felted as some of the fibres
came up slightly and also I didn’t apply enough pressure so the print didn’t come
out fully. Another problem was when I went to do one of my final pieces I
started printing onto my had made paper and because it wasn’t flat enough the
print didn’t work properly so I was lucky that I had made spares in case
anything went wrong, I decided that the only way to get around this problem
would be to flatten the paper, as I had used an old piece for my sample it was
flat from being between the pages of a sketch book for so long, I didn’t have
time to flatten it between anything so I used the heat press, I put it under
for 18 seconds on 180°C, this flattened it enough to print on. For my other
final piece I had to do some wet felting so I could needle felt onto it, the
first attempt didn’t go so well as it was too small and also I didn’t use
enough wool and you could see through the felt when you help it up to the light
as well as there being a small hole in the felt, I then made another making it
thicker and I did it much bigger so when I’d done I could just cut it down to
size. I think that in the end my three final pieces went really well and they
link in to my sheet work. I don’t think I would really change anything other
than I wish I would have had time to do a few more pieces.
I didn’t really enjoy the start of the project as I couldn’t
really see anything interesting with bikes and I got bored really quick, I
really struggled with inspiration and it was only when I went back to college
that I realised it wasn’t just about the bikes so I tried to look at the scenery
and shapes as well as simplifying bikes by just taking small parts and then I really
got into it, Although this may have been a little late and I don’t feel I reached
my full potential.
Each time I did something new in class I tried to update my
blog, however I did lose track and failed to get everything on there when it
should have gone on, but I used it the best I could, this included going back
to old posts and reading about the health and safety for the workshops so that I
knew what I had to do when doing each process.
I didn’t uses my sketchbook effectively at all, I
pretty much forgot about it once I got back to college and started my sheet
work, I should have been going back to it constantly rather than leaving it. I
just didn’t feel like it would help me with my work so I relied on my sheet work
instead.